Some films you watch for plot, some for action, some for characterization, some for laughs. David Lynch films you watch for the atmosphere and for the occasional shocking scene. Complaining about the plot of a Lynch movie is like complaining about olives not being sweet: it’s just not the point.
I don’t know what I think of INLAND EMPIRE "overall". I don’t even know what such an "overall" would mean – should I add up the minutes I like, subtract the minutes I didn’t like, and assess the film on the resulting number?
To judge a Lynch film I ask whether it stays with me; whether scenes play themselves over in my mind during the days after I watch it. And INLAND EMPIRE has enough of those scenes to make me glad I watched it. It’s not Mulholland Drive, one of my favourite films of all time, but then what is?
One scene in particular is stunning – not one I’ve seen talked about elsewhere. It’s about fifteen minutes in. Fading star Nikki Grace (Laura Dern) has won a part in a new film being directed by an unctuous Kingsley Stewart (Jeremy Irons), and she turns up on the empty, … Continue reading